Loomis Dean on assignment for the rescue of survivors of the sinking of the Andrea Doria by the ocean liner Ile de France. (Photo by Cornell Capa/The LIFE Images Collection)
Loomis Dean on assignment for the rescue of survivors of the sinking of the Andrea Doria by the ocean liner Ile de France. (Photo by Cornell Capa/The LIFE Images Collection)
His father was an artist, and Loomis Dean (1917-2005) went to art school, “but it just proved I couldn’t draw.” He soon discovered his passion for photography, but before he went to work for LIFE in 1947, he sold Bibles during the Depression, put in four years as an assistant press agent for the Ringling Bros circus, and served in the Pacific Theater. According to Dean, “LIFE almost single-handedly changed the image of the news photographer from a slovenly, tobacco-chewing slob under constant pressure … to the pseudo-sophisticated type in neckties who were allowed to use initiative and imagination … We knotted our ties and set off to con people into all sorts of things they frequently didn’t want to do….It was all the most fun in the world.”