Portrait of Alfred Eisenstaedt on assignment in Kenya, 1966. (Photo by Alfred Eisenstaedt/The LIFE Picture Collection © Meredith Corporation)
For Alfred Eisenstaedt (1898-1995), the thing that was always there, within him, prompting and pointing the way, was his undying curiosity, which was tethered to his photographer’s eye: “I see pictures all the time. I could stay for hours and watch a raindrop.” Eisenstaedt never lost his childlike interest in things and people, in what made them what they were. He would put his subjects at ease, then get up close and take a few pictures—he didn’t need roll after roll—then it was on to the next person, the next happening, tirelessly pursuing the heart of the matter that he saw so easily and wanted very much for us to see, too.
Photo by Alfred Eisenstaedt/The LIFE Picture Collection © Meredith Corporation
“There were thousands of people milling around, in side streets and everywhere. Everybody was kissing each other … And there was also a Navy man running, grabbing anybody, you know, kissing. I ran ahead of him because I had Leica cameras around my neck, focused from 10 feet to infinity. You only had to shoot… I didn’t even know what was going on, until he grabbed something in white. And I stood there, and they kissed. And I snapped five times.”
—Adapted from The Great LIFE Photographers
LIFE magazine cover published January 23, 1939 with movie star Bette Davis. (Photo by Alfred Eisenstaedt/The LIFE Picture Collection © Meredith Corporation)
Student nurses lining the railings of a stairwell at Roosevelt hospital. (Photo by Alfred Eisenstaedt/The LIFE Picture Collection © Meredith Corporation)
Ballerinas at George Balanchine’s American School of Ballet gathered around accompanist during rehearsal. (Photo by Alfred Eisenstaedt/The LIFE Picture Collection © Meredith Corporation)
